Congratulations to FangerNails Ghost in the Projects for being nominated for three Gylth Awards.
Wednesday, July 16, 2025
FangerNails Ghost in the projects Nominated for 3 Glyph Awards
Thursday, May 30, 2024
The Last Harlemite coming August 2024
The Last Harlemite features lots of
action and comedy, and coming of age comradery between the characters. The story allows readers to follow along with
the adventures of 16 year old Mansi as he carries along the memories his 7 year
old sister Tee Tee in his head. Mansi along with his friends and his dog Benzo
navigate the dangerous post-apocalyptic world of what used to be New York City.
The Last Harlemite features lots of
action and comedy, and coming of age comradery between the characters. The story allows readers to follow along with
the adventures of 16 year old Mansi as he carries along the memories his 7 year
old sister Tee Tee in his head. Mansi along with his friends and his dog Benzo
navigate the dangerous post-apocalyptic world of what used to be New York City.
This is the story that started it all: The Harlem Shake, Two lovers are reunited by the storm of the century.. Just when New Yorkers were given a wakeup call into the realities of Global Warming by way of Hurricane Sandy, Harlem becomes host to yet another one of Mother Nature’s catastrophic lessons.
There was an
inactive fault line under the village of Harlem. When this fracture in the bedrock of Harlem’s
famed 125th street becomes active, all of Harlem begins to shake as New York
experiences a category 8 earthquake.

Rustico P Limosinero.
Thursday, January 4, 2024
Issue 2 of FangerNails is here!
Issue One had a beautiful variant cover my Mervyn McKoy.
The story started with Eni sitting in her room. She is just a normal 16 year old girl.
This is the character that Eni dreams she could be after she learns about her father.
In issue two Eni and her friends meet a Ghost Hunter. Someone who hunts down ghosts. This goes against Eni's awareness so they become adversaries.
This variant cover is by Mervyn McKoy who did the variant cover for first issue.
Fangernails is the spin-off of the book Thug Angel Rebirth of a Gargoyle. This is a story about a single father named Maurice who is raising little girl named Eni in the Front Street Projects. FSP (Front Street Projects) are a complex of four 10 story buildings and Maurice is the proud superintend. They are the oldest buildings being used as housing projects in New York. They are made of stone with carved faces on the outside. Some of the old lades say the faces are there to protect the residences and are called Gargoyles. Whether it is the gargoyles ensuring the good luck of the FSPs it is clear that there is something special about the FSP. The housing projects of New York are notorious for having drug dealers and lots of crime. Drug dealers don’t come around FSP and even when a new drug dealer thinks about pushing drugs around there they change their mind. Eni thinks it’s because of men like her father however, one thing Eni or anybody else cannot explain is why nobody has ever been hurt or murdered in the FSPs until now.
Tuesday, April 11, 2023
Planet Alkebulan releases its third book.
Jeff Carroll is a pioneer voice in
the Black speculative movement. He is a
writer, filmmaker and comic book man. His stories always have lots of action
and a social edge. He has written over 10 sci-fi and horror novels and made six
movies. His short stories have appeared in The Black Science Fiction Society's
anthology and their magazine as well as other anthologies.
“Planet Akebulan is the product of a challenge by my illustrator Jorge Gabotto. Jorge presented me with images of a man and a woman and asked me to write a story. The concept of Planet Akebulan immediately jumped into my head, pushing aside all the other ideas in my mind. Planet Akebulan is the product of a longstanding dream of mine regarding writing a Sword and Soul story. Sword and Soul is a subgenre of Black Science fiction that blends African History with fantasy. With Planet Akebulan, I’m able to use the deepest parts of my imagination along with my love for African culture. I was heavily influenced by the structure of the Marvel Universe; I love the way scientific speculation, and cultural beliefs are weaved together.,” Jeff Carroll.
Planet Alkebulan, the first planet in the universe, is the source of all life. It produces this life in private as it’s location is unknown. When it’s life force regulator is broken they learn that the planet has also become visible making it the number one target in the universe.
It keeps
producing lifeforms and sending them around the universe to suitable planets.
Quhala is a mastress of the lifeforce. Quhala and her partner Shabaka are the
guardians of Planet Alkebulan. Quhala
charges her arrows and other weapons with life sucking energy that drains all
living beings. Shabaka is armed with the
Kem Sword a magical weapon that’s power is unknown.
Planet
Akebulan, is similar to Star Wars in the sense that it is set in a world that
predates civilization on Earth. Planet
Akebulan offers a different origin of life in the Universe.
In the first
book the planet is under attack by wild lifeforms. The Heroes Shabaka and
Quhala learn how to repair the barrier.
Book 2 While
taking the King to join with the Queen they are attacked by Soulrah and the
King and Shabaka are captured. Quhala is left to get the Queen and get her to
help free the King.
Book 3 The
Queen and her men free the King. The Queen and King join together and restore
the Life Force regulator. Once restored they learn that the planet had become
visible.
Here's the link to the project
Jorge Luis Gabotto (Hiorsh) is a
cartoonist and writer from Argentina. He enjoys narrating, and he does it
whenever he had a chance. Whether it was
telling a movie, singing a song or just telling a joke, Jorge enjoyed it. The
comic for him is the concretion of many arts together; a stylistic summit that
combines several languages for the narrative. The comic is also drawings;
evocative plastic expressions of techniques such as perspective, color
management, human figure, etc. Along with all the aforementioned joys, a comic
is literature, narrative, climates, tensions and beauty in words. The comic is
cinema, it is movement, it is lights and cameras playing roles from the
reader-spectator point of view. The comic is many things…it is a game.
TAKE OUT AN AD.
Saturday, October 8, 2022
Interview with the Monster
Prequel to The Death Pledge by Jeff Carroll
When I first got the assignment to cover the story of
Jefferson Washington, the barnyard boxing sensation known as the King of
Africa, I was taken aback. Me, Hirum
Langston, award-winning writer assigned to cover a story about a brutal,
illegal sport. Bare-knuckle fighting or
boxing without any gloves or whatever you want to call it’s pit fighting. I would have much rather been investigating
one of Gravel T. Woods’ new inventions or spending some time with Fredrick
Douglass talking about ways to end slavery.
However, Reginald Small is a man with great purpose, so even though this
is something I do not understand, I will approach it with the utmost
respect. I have only been to the South
one time in my life and the experience there was life-changing. Reporters for the north, especially of the
abolitionist school of thought like me, were never invited to newsworthy
occurrences on the Plantations of the South.
I guess they are scared we will find out about some hideous slavery
activity. That makes this opportunity
all the more sweet.
Arrangements had been made for me to stay at a rooming house
or, as they say, a bed and breakfast. I
have heard stories about this fighter, the King of Africa, that make him seem
like a terror. All of these stories are
relayed orally, of course. Barnyard
boxing and any form of boxing is against the law in all of the Northern
States. Human fighting is barbaric and
inhumane. Even when these fights were
held up North before the laws were passed, they were held in secrecy. The South maybe filled with cornhusking
hillbillies, but even they aren’t primitive enough to celebrate this savagery. On second thought, with all of the reported
incidents of slave labor and its hideous atrocities, fist fighting is a step
up.
Saturday, October 7, 1851
The ride to the bed and breakfast was treacherous to say the
least. I have never rode for so long on
an unpaved road. The carriage reached
South Ridge, Virginia, well past midnight – about two a.m. Even after a decent
night’s sleep when I was coming downstairs I was still trying to settle my
nerves by thinking about what good stuff these country folk would have for
breakfast.
“Say, is this your first fight?” a man said to me. I was holding a spoon serving myself a
helping of grits.
“Ah, I ah. I’m not a fighter,” I said. Not knowing what to say. I didn’t really want to tell people who I
was. “I’m just here with a friend.”
“Well, I hear that the wager man is running late,” the man
said in a lower voice than he had the first time. “On account of people placing so many bets.”
“Is that so? Well, I
don’t expect to be betting any money on this fight.”
“Well if you do wanna make yourself some take home money. I’m taking bets on Haymaker Hazlitt. He’s going to show that jungle ape the proper
order of the food chain evolution.”
I walked away from the man whose excitement over the fight
caused spit to fly out of his mouth while he was talking. So as not to have his oral fluids fly onto my
plate I walked around him to find a seat at the end of the table. While I didn’t mind a breakfast buffet, it
does demand a certain etiquette that I just don’t think these Southern fight
fans are capable of.
The fight was set to start after noontime, leaving enough
time for the main fight time to finish before sunset. The rooming house was filled with nothing but
travelers like myself. Everyone was here
to see the African King fight. The
dining room table quickly filled up with an assortment of characters. Men came from as far south as Atlanta and
Savannah. I met a group of men from
Newark. They owned a shipping company
and rode their company’s coach down to South Ridge. There grass outside the house was filled with
coaches and horses from the porch all the way out to the road.
The breakfast was good.
Nothing like fresh eggs and cheese.
I talked to the men about as many subjects as I could but the subject of
the fights always took over. I must
admit people are certainly excited about these barnyard fights. “I heard that African King fella punched a
white man in front of the mayor and ain’t nothing happen to him,” one man said.
“I heard he punched a horse for looking at him the wrong
way,” another man said.
“Knocked the horse out cold with one blow.”
I heard so many stories, which I think were a bit
exaggerated, just at the breakfast table that I started to get a little excited
myself. I excused myself and went back
to my room to take a nap.
“Come on out! They just bringing the African King out,” a
voice screamed. It startled me. I looked at my watch and it was 11:30
a.m. I guess that carriage ride took a
little more out of me than I expected.
Anyway, time to go to work and get this story. So I ran a rag over my face and skipped down
the stairs.
“Easy, young fella.
They got him covered up. His
trainer Jim don’t want him to be teased by any of the boys here,” an old man
said. He was sitting in a rocking chair
drinking a glass of lemonade on the porch looking at all the chaos from a safe
distance. “They’re going to be bringing
out some pork sandwiches in a few. You
need to make sure you get yours first cause they are sure to run out today.
“Ah is that all they’ll have is pork?” I said.
“Hell no. She been
frying chicken and making tater pies all week.”
Thank God. I could
eat some chicken, but I had a bad experience with a piece of pork when I was a
child. “Okay, thank you Sir.”
From a few feet off the porch, I was able to see the big
wagon carrying the African King roll in.
It looked like a big box covered with a show curtain like the ones they
use on stages at the theater.
I noticed the fighting area was filling up quickly, and I
also saw they had started selling the sandwiches. I rushed over and got a box of chicken and
three fluffy biscuits. I took an end
seat on a mid-level bleacher. The
announcer was already talking to the crowd by the time I got situated.
“Today we got a treat for you fight lovers. I ain’t talking about no cock fights or no
dogs fights. I’m talking about two big
ole giants fighting. Men so big there
ain’t no place for them in the world but in this here ring. First we got two scrappy young fellas that
promise to give you something that you ain’t expecting. They both say they’ve got killer in their
blood, so it sure to be a pleaser. Then
we got what you all came here for. We
got a fighter who’d make the gladiators in Rome run home and get their mammas.
He’s all the way from England. It took
him two weeks to get here, and I bet he ain’t happy about that. Haymaker Hazlitt,” the fat announcer
said. The crowd screamed and cheered so
much you would have thought he had already won the fight. “He told me yesterday that he heard Virginia
had a colored problem and he wanted help us solve it. Hahaha.”
Then the crowd got quiet.
Real quiet.
“Now you know we’ve got this fighter trained by Old
Jim. This fighter is half animal and
half monster. He started in the fields
of North Carolina. You know picking
cotton and sugar cane. Now he’s been
chopping down every man we’ve put in front of him. All the way from Africa,
we’ve got the African King!” This caused
the crowd to boo and scream curses.
The first fight was a spectacle to say the least. Both men about the same size traded punches
and slaps at each other for over 5 rounds.
They knocked each other to the ground.
Each time they got up before the bell rang and got back up with new
energy. By the tenth round, I could
barely predict who would win. The
fighters both looked to be within an inch of their lives, yet they still
fought. Every time they fell to the
ground, I couldn’t help but think “Why get up?”
One time I yelled, “Stay down, dummy!”
That made all of the men sitting around me turn and look at me. I wouldn’t say that again. But why?
Why do they get up? This was the
stupidest way to display courage. Then
by the fifteenth round, out of the blue and totally unexpectedly, one of the
fighters threw a right-handed punch at the other fighter’s head and misjudged
the other fighter’s distance. The other
fighter, seizing an opportunity he had been waiting for, followed with a
devastating uppercut which connected with the jaw of his adversary. The blow knocked the fighter off his feet and
into the first row of bleachers.
When they finally got a word out of the laid-out fighter,
all he said was “Where am I?”
They quickly cleared the ring and the announcer pronounced
the fighter the winner. He then called
for two volunteers and stood them on both sides of the ring.
“Now you fellas will get the first shots at the African
King,” the announcer said. He stepped
aside and in walked Old man Jim, an old man with wrinkled skins and a big round
belly. He was followed by what seemed to
be just what they said: a monster. The
African King. Dressed in overalls and
wearing a straw hat, he looked normal, except he was twice the size of a normal
man. He had large muscles – not defined,
just large. His chest was big like a wooden
barrel of ale. He looked around at all
of the people and offered what almost seemed like a smile. The two men in the ring were each given a
piece of wood. Following the instruction
of Old man Jim, they swung the slabs over the head and back of the African
King. While each piece of wood broke
over the African King’s body, he barely flinched. Holy cow, he was strong. I’d only seen men this strong at the circus.
“You see. He’s got no
feeling,” someone screamed from the audience.
“No soul,” the announcer said. “And now I bring you this animal trainer all
the way from England, Haymaker Hazlitt.”
The African King backed away from Haymaker as soon as Old
man Jim climbed out of the ring.
Haymaker – a tall man, equal to the height of the African King – just
starred at the big Black fighter. When
the bell rang, Hazlitt was all over the African King, throwing lefts and right
punches. The African King barely moved
as he raised his arms to block. The
crowd cheered. It didn’t seem like a
fight at all. By the beginning of the second
round, Haymaker had thrown almost all of the punches while the African King
just took a beating. Midway through the
second round, Haymaker landed a punch that caused the African King to
stumble. Haymaker, sensing an easy
victory, released out a barrage of more punches. The African King fell to the ground. Well, not all the way. He came down on one knee. But you would have thought he fell out flat
on his back, like the early fighters did, by the noise of the crowd. I started to think that this was no fight; it
was a rigged public beating. This
couldn’t be the guy people traveled so far to see.
The African King blocked Haymaker’s punches from that
position until the bell rang. After that
he got up and walked over to Old man Jim.
Jim splashed him with a cup of water as he sat down. He offered the African King a jar of some
sort. It had green liquid in it. The King took a big gulp and Old man Jim said
something I couldn’t make out. When the
bell rang, the African King jumped up and dropped his arms to his sides and
squatted down. Haymaker paid him no mind
and rushed in as usual. This time the
African King caught Hazlitt with an open-hand slap. Haymaker stumbled back a step. He shook his head and charged again this time
he was slapped twice. He tried to punch the
King, but his punches were blocked. The
King jumped around on each side of Haziltt, slapping him on the side of his
head and body. His opponent turned his
head as fast as he could, but that only added to the blows ‘accuracy. Hazlitt snorted and gritted his teeth then rushed
toward the African King. The African
King sidestepped and punched Hazlitt in the cheek. Hazlitt, now mad and turning red, said “Come
on you beast. Stop running and fight me.”
The African King stopped moving and just stood there with
his arms to his side. Hazlitt hauled
back and aimed a blow at his opponent.
The African King lowered his body to the ground and let the punch sail
over his head. The move caught Hazlitt
so off guard that he lost his footing.
The African King jumped up in the air like a frog and came crashing down
on Hazlitt’s head. Hazlitt fell straight
down. The big white fighter’s face
connected with the ground so hard it thudded like it was a brick. The ring man quickly rang the bell. Hazlitt pushed himself back up to his feet
and wobbled back to his chair. The
once-noisy crowd was quiet. I dared not
say a word.
When the bell rang starting the next round, both fighters
looked refreshed. The African King
looked like it was the beginning of the fight, and Hazlitt looked like he was
surrounded by a group of bandits. He
didn’t seem to have his earlier skilled aggression. He held an arm out to keep the African King
away from him. He walked around the ring
like he was looking for an opening. The
African King just stayed in his position with his arms dangling and in a
squatted position. The crowd started cheering “kill him, kill him.”
Hazlitt, grinned to the crowd in acknowledgment of their
love, it seemed like he’d been waiting for to charge the African King. He blocked the first slap and almost tackled
the King, a move which I thought wasn’t allowed. I thought the rules were for fist fighting
only. Anyway, Hazlitt, having the
African King pinned against the rope, rammed his knee into the barrel shaped ribs
of the African King. He pushed the King
back with both hands around his neck choking him. The referee just stood there watching. The African King fell down to his knee and
Hazlitt rammed his knee into the King’s head.
The crowd cheered. Some men stood
up. Hazlitt punched the King, knocking
him over onto the ground.
Now with the African King finally lying on the floor,
Hazlitt turned to the cheering audience and raised his arms. When he turned back toward the African King,
the King was almost back on to his feet.
Hazlitt rushed him with his stereotypical confidence and swung and the
King. This time the King was already on
one knee and the blows were easier to block.
He blocked them both and followed with an uppercut to Hazlitt’s
chin. The blow stood Hazlitt up
straight. The African King punched
Hazlitt in the stomach, causing Hazlitt to bend over. As Hazlitt crouched to hold his stomach, the
African King cupped both his hand together and swung them into Hazlitt’s
face. Hazlitt stood erect and
motionless. Blood dripped out of his
mouth and his eyes were shut. I couldn’t
tell if he was going to fall forward or backward. All I could tell was he was unconscious. His head tilted to the sky and his arms
dangling on his sides told the crowd who the winner was.
This was by far the most thrilling event I have ever
witnessed. As barbaric as it was, these
fighters are a cut above the rest of us.
I can’t wait to talk to Jefferson Washington, the African King tomorrow.
Thursday, October 6, 2022
Black Jack O Lantern origin story.
DID YOU KNOW this little horror history fact:
Most
people don’t know that pumpkins come in other colors besides orange.
There
is a classic horror story about a real, young Black child who lived in the
1800s. Can you guess what story it was? The
Legend of Sleepy Hollow was not originally the fictional story of Ichabod
Crane.
According
to New York records of the time, Ephraim Brownsome was a student in a secondary
school for free Black children before the tragedy. This event took the lives of
twelve children and eight adults.
It
began with the request of an abolitionist to integrate the schools of Boston,
Massachusetts. Parents were excited to send their children, who represented the
best and the brightest, and give them the opportunity study under elite scholars.
It required the colored students to travel from New York to Boston.
The
trip took days. They crossed lands with old plantations that had bloody slave
revolts on them. Legend told that the lands were dangerous because the spirits
of the slave owners would possess weak minds.
On
the group’s return trip, Ephraim mocked slavery and slaves themselves. He said
Africans had to be stupid to let someone enslave them. On the evening of the
third day, young Ephraim murdered all of the children in his stagecoach and
another one before his killing spree was cut short. He was shot down during the
conflict.
While
lying on the ground, the horses pulled the stagecoach wheel over his body and
decapitated him. Both his head and body were brought back to Sleepy Hollow and
buried in an old Dutch cemetery.
Months
later, the cemetery had become overgrown with weeds and vegetation. On the
night of All Hallows Eve, Ephraim rose from his grave. His body had pushed
through the weeds and a pumpkin had grown nearby, replacing his head. A black
pumpkin.
The
possessed, black-pumpkin-headed body of Ephraim continued his murderous
rampage. This time, he killed more than just Black children. The town’s militia
was able to stop him again but not before fear struck the hearts of any and all
survivors.
The
story of this incident has changed over years and, due to racism, the young,
Black Ephraim was replaced with the name of his first white victim - Ichabod
Crane. Even the color of the pumpkin was changed to orange.
Only
one photograph of Ephraim exists. If you look closely, you can see the face of
a white man inside a black pumpkin.
Thursday, September 29, 2022
Check out the new project on Kickstarter Horror Streetz